Meager Sunlight/Skeleton Warrior split 12″

I’ve definitely listened to this record repeatedly the most times this year, just flipping and flipping it. One side dark synth jams that could have literally been major radio hits in 1988. Other side mutant synth jams part DEVO, part Oingo Boingo, part bizarro.
Get it from Hot Releases or More Records.

Unicorn Hard-On/Container split 12″

Unicorn Hard-On’s track “Persian Cats” is just about song of the year and makes this split worth it alone. the other UHO track is great too and Container does “minimal techno” or maybe “fake techno” AKA the genre that noise became in 2011.
Also from More Records and Hot Releases.

AIDS Wolf “Ma vie banale avant-garde”

Epic abstract harsh guitar tracks. Still torch-carriers of the no wave bad vibes.
Get it from Lovepump (free download by mailing SASE).

Mincemeat or Tenspeed “Games of Chance”

Best Mincemeat or Tenspeed album? More headbanging noise but freakier sounds and tighter changes. Davey (dude behind this project) calls this “fake techno” too but uh… this would definitely still be half on the noise side of the fence.
Get it from Harshnice.

White Suns “Waking in the Reservoir”

Ah, a refreshing blast of negative noise-grind-dirge to wash yourself clean from all that reverbey indie-hippie nonsense.
Get it from ugExplode.

Dead Rider “The Raw Dents”

Slick and skilled and unsettling and really kinda OFF in a weird way – all at the same time.
Get it from Tizona.

Gay Beast “To Smithereens”

As good as their last one “second wave” but this seems to have been overlooked by most people, maybe because the band split up before it came out and weren’t able to support & promote it. Compositionally ambitious prog/no wave.
Get it from Skin Graft.

Black Pus “Primordial Pus”

Rocking drum-n-noise numbers. Kind of unhinged and spontaneous compared to the Black Pus 4 album, but with more blood sweat and tears.
Get it from Load Records.

Dick Neff “Dunce Slap”

Okay, apologies to Black Pus, but I think Dick Neff one-upped him at the one-drummer-noise-band thing. Lance (dude behind this project) calls this “fake metal” and it is heavy. Triggered synth tones fight each other as he drums like a maniac and everybody wins! The heaviest metal band that’s neither metal nor band.
Get it from Lance himself, I guess whenever you see him somewhere.

Mutwawa “Mayan Mutations”

Totally ruling merger of beats, noise, samples with a sci-fi/conspiracy theme. Sinister and tense and mind-blowing awesome.
Download it free from Free Music Archive.

Skoal Kodiak “Kryptonym Bodliak”

This is like what I was hoping !!! would sound like, but didn’t. Post-apocalyptic funk played by mutants and malfunctioning robots.
Get it from Load Records.

Dog Leather “Greezy Man and Stinky Man”

So this album did seem kind of short and half the tracks felt a little like filler, but the meat of it was still great even if it’s really sort of an EP. It’s probably too much to hope that this heralds a return of the goofball pseudo-music noise bands – last heard from around the time when we had Danse Asshole, Meerk Puffy, Wolf Eyes’ first album on Bulb… But I can dream!
Get it from Ehse Records (free download available).

Satanized “Technical Virginity”

Pretty much no one else touching this caliber of complex, skilled, aggressive music today  (outside of metal).
Get it from Skin Graft.

Doomsday Student “A Jumper’s Handbook”

Most of the Arab on Radar crew reunite and make what’s basically more Arab on Radar music. Nary a disco beat in sight, just atonality, dissonance, shrill shrieky guitars and voices. Yeah, it’s been done, but it was done by most of these same guys and I kind of wish there were more people making this music so welcome back boys.
Get it from Anchor Brain.

Men’s Room tape

Like HEALTH in an AmRep world or something. Way, way blown out and effected-into-oblivion guitars with rock drums and unintelligible vocals. Sounds kind of like garage rock pushed into the red until it becomes industrial noise.
Download it free from Bandcamp.

last second entry: Bloodhuff tape

Just grabbed this tape literally yesterday! Some Providence noise girls doing something sort of like punk rock. Every once in a while something like this convinces me that maybe punk rock is still a good idea. The sound is pretty subterranean and the vocals are almost strangely prominent but the weirdness of the sound only helps. Urgent and weird and spooky. Hard to say if something I only listened to once yesterday has earned its place on a “best of” list, but I’ve got a hunch this is better than that Iceage album everyone raves about but I still haven’t heard.
Get it from Price Tapes (free download available).

The rest of the dates are as follows, including a Brooklyn show next weekend!

Mon 3 – Baltimore, MD @ Floristree
Tue 4 – Greensboro, NC @ CFBJ with Ear Pwr
Wed 5 – Cleveland, OH @ Now That’s Class with Cloud Nothings
Thurs 6 – Columbus, OH @ Skylab
Fri 7 Philadelphia, PA @ Pi Lam with Dustin Wong
Sat 8 – Providence, RI @ AS220
Sun 9 – Brooklyn, NY @ Death By Audio

10/20/11 – Brooklyn, NY @ Death By Audio
10/21/11 – Cleveland, OH @ Now That’s Class
10/22/11 – Chicago, IL @ Empty Bottle
10/23/11 – Minneapolis, MN @ 7th Street Entry
10/24/11 – Iowa City, IA @ Gabe’s Oasis
10/25/11 – Lawrence, KS @ Replay Lounge
10/26/11 – Normal, OK @ Opolis
10/27/11 – Austin, TX @ 29th St. Ballroom @ Spide
10/28/11 – Denton, TX @ Rubberglove
10/29/11 – Hot Springs, AR @ tba
10/30/11 – Birmingham AL @ Firehouse
10/31/11 – Athens, GA @ Farm 255

11/3/11 – Miami, FL @ Churchill’s
11/4/11 – Tampa, FL @ Crowbar
11/5/11 – Orlando, FL @ Will’s Pub
11/6/11 – Atlanta, GA @ 529
11/7/11 – Chapel Hill, NC @ Nightlight
11/8/11 – Harrisonburg, VA @ Festival Ballroom at JMU

11/10/11 – Washington DC @ Comet Ping Pong
11/11/11 – New York, NY @ 92Y Tribeca
11/12/11 – Binghamton, NY @ Pajama Kazama
11/13/11 – Boston, MA @ Church of Boston

All October dates w/ Henry and Hazel Slaughter; all November dates &
Halloween show w/ Unicorn Hard-On

And here’s AIDS Wolf playing a song at their practice space:

taken at the Dog Leather show at Silent Barn

In case you hadn’t heard, the DIY music and art venue The Silent Barn has fallen on hard times. This place, located in Ridgewood, Queens (just beyond Bushwick, Brooklyn) has been the place I’ve most frequently gone to see shows. They’ve hosted some fantastic events I’ve helped organize, like 2 Int’l Noise Conference On Tour shows. They’ve been huge supporters of noise/weirdness music. It’s the venue I’ve felt most at home at.

Over this past weekend the Silent Barn was burgled, ransacked, and vandalized. They estimate that $15,000 worth of sound equipment was stolen, not including personal items. (The cats are safe!) On top of this, there are further legal challenges. As a DIY space, the Silent Barn would have to make huge investments in money and time to recover and operate as a legit, secure, fire code compliant and legal space. I am overjoyed to announce that the Silent Barn operators are NOT packing up, but are taking this opportunity to make that goal a reality. Now you can help! You can donate to the cause via Kickstarter. I INSIST that you give if you can. You can hit that link or see the widget at the bottom of this post.

…and now at the risk of getting really sappy. The people running the Silent Barn have not been doing it to make money. They are all genuinely nice people who have just wanted to create special and memorable events and a sense of community. A situation like this can be incredibly disheartening, and can make one feel like everything you’ve invested in and worked toward has been destroyed. That is not true. When you make investments in friends and community, that cannot be stolen. The Silent Barn is not just a place for kids to party, places like this make the city a richer, more attractive, and safer place to live. Mayor Bloomberg should be handing them a check every week for the service they provide. The Silent Barn is asking for $40,000. Let’s blow that out of the water. Let’s make that thing hit $100,000. It appeared this morning and as of this moment is already at almost $6,000 and accelerating! If you cannot give money but live in the NYC area, you may be able to donate supplies or manual labor. Email silentbarn@gmail.com to be placed on the “willing to help” mailing list.

Some reviews I’ve written of shows at the Silent Barn are HERE, HERE, HERE, HERE, and HERE.

On Saturday I dragged myself out to Outpost, a place around the corner from the Silent Barn, for the panel discussion with Phill Niblock, GX Jupitter-Larsen, Al Margolis, Katherine Liberovskaya, AMK, Rat Bastard, Gen Ken Montgomery, Damion Romero, and of course Ende Tymes organizer and long-time noisemaker himself, Bob Bellerue. The subject of the discussion was listed as “Street-level experimental music and the evolution of technology and culture.” That does sound like it could be a stuffy snooze-fest, but it was actually very UN-like some of the pretentious art school events I’ve seen. I almost forgot what it was like just to listen to artists talking about why they like doing what they do, without trying to convince anyone that they’re brilliant and totally deserve that grant or gallery show. Rat Bastard’s opinions also kept things lively, as he disagreed with the other panel members on most points.

John Mannion at Ende Tymes Fest

I didn’t catch the video screening on any of the days, but I did get back in time to catch John Mannion kicking off Saturday night. Speaking of doing a lot with a little, Mannion’s main instrument is an open box fan, to which he applies an amplified screwdriver and subway pass. A laptop and effects also play a role, but still, it’s fun seeing the noises being produced by the fan-playing.

KILT filled the room with some thick wall-to-wall sound. Phil Niblock was one of the more famous performers (I gathered) and had one of the bigger crowds. However, he really only sat at his laptop so there was nothing to see. The sounds were a thick and constantly shifting river of tones. It sounded cool, but I felt like it would be more appropriate in an art installation setting where people come and go, as there was no big change in the sound at any point and little to watch.

Sick Llama at Ende Tymes Fest

Sick Llama I’ve also never seen but heard the name pretty often. He made slow-motion echoed sounds sort of like… well, not entirely unlike a sick llama. GX Jupitter-Larsen, of Haters fame (a band which is sometimes just him so I’m not sure what the distinction is) did something or other with a suitcase that resulted in a heavy rumbling noise. The sound was nicely gritty and physical, but I do wish I could have gotten a better idea of how it was created.

Kyle Clyde at Ende Tymes Fest

Kyle Clyde had a simple set-up and sonic palette compared to some, but really sold it with a gripping performance. Then at the other end of the spectrum, and closing out Saturday night, Yellow Tears had the most elaborate set-up with TVs, remote video, bowls of water, keyboards, etc. I couldn’t quite tell if their performance-art-like show, which seemed to be all about … drinking pee? … was supposed to be dark and disturbing or just a goof. It did end with someone getting a pie in the face though.

My resolve and health were deteriorating by night 3, though the quality of the acts didn’t slip. But the heat and hours of breathing cigarette smoke were starting to make me ill, so I made Sunday a shorter night and probably missed some great stuff. I was told that Gen Ken Montgomery was awesome.

Mike Shiflet created a varied range of textured sounds, almost peaceful but never boring. Damian Romero somehow made the walls, floor, and ceiling vibrate with some intense frequencies. It felt like he’d turned the whole Silent Barn into a speaker which we were all inside of. I was really, really glad I caught the set by I’D M Thfft Able (that spelling might be close to correct…) which turned out to be another one of my favorites.

I'D M Thfft Able at Ende Tymes Fest

Much like Crank Sturgeon or john Mannion, I’D M has an approach where you can see how all the sounds are made. It’s simply contact-miked objects and improvised vocal sounds. But from that basic starting point, I’D M went way, way outside the box with his performance, creating some of the oddest, most surprising, and harshest sounds (his amplified scratching down a chalkboard made one audience member cover her ears and run to the back of the room). At various points he stumbled around, dropping and rolling bowling and billiard balls while singing stream-of-consciousness phrases. I wasn’t the only one impressed and I think he got the wildest cheers and applause of all the acts.

ID M Thfft Able at Ende Tymes

This overview is seriously incomplete, but this YouTube user, mathgrind, got far more and better videos than anything I got. I’m embedding a playlist of his Ende Tymes videos below, in no particular order. Please feel free to add other links in the comments.

Clang Quartet at INC2011 in Miami, photo by Valerie Martino

As of right now, the podcast side of No-Core has an interview with Clang Quartet. I don’t usually double-post items like this, but just in case there are some people following the blog who aren’t following the podcast, I thought I should point it out here. The summary goes like this: “Scotty Irving AKA Clang Quartet is an incredibly nice, honest, and humble guy who is also one of the most – maybe THE most – captivating and intense noise performers around. He is also a very devoted Christian whose religious beliefs play a central role in his performance. Just to head off some potential comments, I’d like to point out that though I’m an atheist and we do mention this difference, this was not intended as a debate. I mainly wanted to let Scotty explain how his beliefs motivate what he does and just get a picture of what he’s like as a person and an artist.”

GO PODCAST-SIDE AND CHECK IT OUT!

Get the latest Clang Quartet tape from Hanson Records.
Follow or contact Clang Quartet on Facebook.

I shot some short videos when I could. If I didn’t get video of something, it might mean I had to eat, sleep, use the bathroom, get ready to play, or that a band didn’t stand in the light and nothing would have shown up anyway. Instead of posting each video separately, I made this playlist. Use the little tabs on each side to skip through the videos, and click that little tongue icon between Play and Volume to access the video list. It’s kinda sorta in chronological order.

There were a number of friends and regulars who dropped out this year, sadly. No Head Molt, Drums Like Machine Guns, Abiku, Loop Retard. But there was still too much amazing stuff to catch everything. At the risk of omitting tons of mind-blowing stuff, I’ll mention a just a few of the highlights:

Night Burger! Every person in the house was rocking out to this by the end. My video does NOT do the sound justice, sadly. When this set was over, everyone was on a total high, smiling from ear to ear and looking at each other all wide-eyed like “Did you just hear what I heard?!”

Time Ghost! I’d never seen this dude before, but in addition to sounding awesome, his show looked amazing with some kind of light-triggered or maybe light-linked synth sounds and his head and face covered in baby oil for maximum shiny-ness. And my video of this one actually turned out pretty good!

Leslie Keffer’s bouncer skills! Angry army dude was clearly not a noise fan, but he sure seemed to like the Cock ESP set and took it as an excuse to jump in with some destruction of his own. In a way, it’s weird and funny when someone really doesn’t get what’s happening, except that it can also be really uncool. I guess a Cock ESP set might look to someone like it’s free-for-all time, but it’s actually not, and when the show is over, it’s over. And when it was over, army dude decided he still wanted to try to bust in some of Churchill’s amps, stick a bottle up Emil’s ass, and then try to talk up C Lavender. Enter Leslie, stage left, who used some kind of snake charmer hypnosis to wordlessly walk Army Dude straight out the side door and shut it behind him. I was impressed.

There definitely was a trend toward dark synth-rock, always with some noise mixed in. Daily Life, which featured both Kites and Lazy Magnet’s Jeremy Harris as members, was a prominent example of this. But I’d like to say that the real trend was “taking it up a notch.” Everyone who I’ve seen at past INCs put in the best show I’d seen by them ever! Seriously. Blue Shift for example? How amazing did that sound? Dick Neff? INC really is a kind of conference, where everyone brings their A-Game and everyone leaves inspired and with fresh ideas to implement. Next year’s going to rule.

I’ll add some links when I find more good stuff online. Please send me whatever you’ve got or leave a comment! The NOISEBLOID blog (http://noisebloid.blogspot.com) has also promised more emerging photos, videos, and gossip from INC.

As a special present for you, I’ve put up a widget on the No-Core front page (http://www.no-core.net) that will run recent posts with the #INC2011 hashtag on a loop. In fact, I’ll stick it at the end of this post too. I’d also recommend following @unicornhardon (Val Martino) and @noisebloid (Leslie Keffer) to get all the latest dirt.

Early buzz revolves around this “apology” video from regular INC star Loop Retard.

Is Loop Retard really not going to make it to INC, or is this just poking fun at all the acts who have been billed and then dropped out?

http://www.facebook.com/pages/No-Core/109860035739522

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