NO-CORE blog

In April of 2008, Lauren Boyle toured as a member of the Laundry Room Squelchers, Rat Bastard’s free-noise band. Along the way she interviewed and videotaped a number female noise artists, including Leslie Keffer, Val of Unicorn Hard-On, Nancy Garcia, Heather Young of HNY and Social Junk, and many more. The interviews and select performances were edited down to make this 35-minute film, “GUTTER: Girls of Noise.” Lauren has kindly allowed me to be the very first to present it online. Caution: check your volume, this film starts right out with some intense Squelcher noise. Enjoy!

HumanBeast at Death by Audio

Phew! Some kind of line-up, right? This is going to be the Brooklyn show to top in 2011. And there were lots of big cameras popping off everywhere, so I guess I shouldn’t be surprised that this event has already shown up on a bunch of other music blogs. But hey, I was there, I took pictures, it was awesome, I may as well put my show review out into the virtual world too.

dubknowdub – live at zebulon

So first of all, I missed DubKnowDub, but they’re great. I know the show had 6 bands on the bill, but this being Brooklyn, I still didn’t believe the show would actually start before 9PM. So as a consolation, hit play on the above track and let it be your soundtrack to No-Core browsing. (Music starts about the 1:45 mark.) I don’t know who DubKnowDub are exactly, but they get on lots of great shows somehow and they’re tons of fun. Yup, it’s kinda dub, and also kinda noise. Great live. Don’t make my mistake next time!

Diamond Black Hearted Boy at Death by Audio

I did get there in time to catch Diamond Black Hearted Boy, a guy I’ve met before though I didn’t mentally piece together that it was the same person until I talked to him at the show! DBHB comes from the same Richmond freak scene that Narwhalz and Shams do and performance-wise you can tell he’s on the same page. Live, it’s kinda confrontational (for anyone who’s not into it) or just good fun if you are into it. Lots of goofy genre tags have been slapped on him, but honestly, I’d say his music is sort of proto-industrial. Claustrophobic, pushed-too-far-into-the-red samples and loops, usually rhythmic, sometimes with actual beats. Tonight DBHB also made ample use of a piercing whistle blown straight into the microphone which sounded pretty awesome (maybe a little tiresome after a while though) like it was hitting the resonant frequency of your eardrums.

Shawn Greenlee at Death by Audio

Shawn Greenlee’s performance was really fantastic. He used some kind of camera to scan from a handmade book, and then what must have been custom software to turn the images into noise. Then there was a weird spinning disk, and he’d use the trackpad kind of like a Kaossilator, and… well, just watch him do his thing here. That’s my best guess as to what was going on. It sounded super-sweet too, better than it came out in this video. I was captivated.

And then, humanbeast. This was SO GOOD.

HumanBeast at Death by Audio 3

HumanBeast at Death by Audio 2

Last year at the International Noise Conference in Miami, I, like any mortal person, had to take a break and miss some of the acts. When I got back and asked people what I missed, everyone kept saying “Humanbeast! Humanbeast!” (I’m using the no-space spelling that appears on the tape I got) – so I was excited to finally see these guys. They did not disappoint! Their music was absolutely gorgeous, while at the same time being really dirty and messed up – which was also sort of how their performance played out – and how the theme of their lyrics go – taken together it’s cohesive, deadly effective, and totally entrancing. Amazing music meets amazing noise. Again, I couldn’t really capture the sound in full, but here’s my video of them playing “Come Through the Cloth.” I just watched it again and got chills at the point where she sings at the top of her lungs without the microphone.

I don't know if all those expensive cameras are safe there...

And then Rat Bastard of INC and Laundryroom Squelchers fame took to the stage, with his guitar with only 4 strings and 4 tuning pegs remaining. He was joined by Roger of Monotract fame and another guy who I probably should know but don’t, both on guitars. This was basically a performance following the Laundryroom Squelchers M.O. – a terrific squall that sounds at first like sheer white noise. The infamous Nondor Nevai made his trademark after-the-band-has-started appearance and took over vocals, striking poses but largely inaudible over the din. The thing about these Rat performances is that the beginning always seems just like random loud noodling, but if you’re willing to keep listening it starts to take shape and details come out at you. And these guys must have been listening to one another, because somehow they all knew when it was done around the same time.

AIDS Wolf at Death by Audio

AIDS Wolf went on last, and this was the first time I’ve seen their new(ish) 3-person line-up. (and Chloe’s new glasses!) Losing a guitarist has certainly not diminished the volume or chaos of AIDS Wolf live. In fact, I think I like the new sound even better. The band members really seem to be working toward some sort of Harry-Pussy-like psychic communication music that relies on feeling and intuition more than counting beats. They also introduced some sampled sounds and vocal effects which broadened the sound pallet. At least, I think that was an effect and not just a technical difficulty – but you know what? I really enjoy it when a band can make me wonder what’s intentional and what’s not. Living at the edge of chaos. I was also happy to see that the musical chaos inspired some physical chaos in the crowd. It looks like people are just standing around in the above photo, but there was some serious mosh action happening.

In closing: Awesome show. Good people, good times, great sounds. Show ran on time?!?! (props to Edan) Amazing. I went home feeling reinvigorated about music in general.

DEVO tour poster

I had seen and participated in DEVO’s “vote-for-the-songs-you-want-on-the-new-album” thing, but somehow the actual release slipped by me. Well, after a 20-year break, DEVO’s new album: “Something For Everybody” is out. In DEVO fashion, this comes along with a new look (nice. powder blue is the new red apparently.) and an extension of the De-evolutionary philosophy.

As part of the pitch and concept for the album, there’s a “reality series” of videos – which are most likely completely fake, but brilliant nonetheless. This is DEVO for 2010 all right. (videos at the bottom of this post)

All that’s well and good, but I know what you’re wondering: Is the album terrible? Answer: No. Is it as amazing as “Hardcore DEVO” or “Are We Not Men?” or “Duty Now”? Answer: Also No. This album falls squarely in with the mid-period DEVO stuff: “New Traditionalists” and the “Whip It” era. I think it’s way better than those last couple of DEVO albums. The songs are snappy and clever, loaded with trademark DEVO sounds and beats. In fact, I’d swear several songs sample old DEVO songs. Things take a bit of a turn for the lame at the end of the album with a kinda-ballad and a last track that sounds more like something a DEVO knock-off band would write. Still, it’s not enough to ruin things for me.

DEVO "Something for Everybody"

So this is “Something For Everybody,” the “88% focus-group approved” album that is designed – at least within the semi-fictional DEVO-world – to bring DEVO into mainstream America. I am totally enjoying the concept and really nice art direction (check out the perfect album cover) which is 100% in keeping with the DEVO we know and love, although I have no doubt the stated intention will fail miserably. But they may have succeeded at doing something that seemed even less likely: making a totally decent new DEVO record.

I recommend checking out their official website, http://www.clubdevo.com for lots of fun stuff.

Oh yeah, and they’re on tour too. Dates here: http://www.clubdevo.com/tour/